Tag Archives: Narrative

HISTORY IN 4D – PANOPTIC PERSUASION

 

ABSTRACT

The influential power of narrative story telling throughout human history was a topic I touched upon in the first essay of this series. In the following installments I examined how the Nazi’s methods of mass media communications directly influenced much of what we consider ‘normal’ media relations today. That was followed by an examination of the figures in American Intelligence who spearheaded bringing that style to the American controlled theaters during WWII and throughout the Cold War.

This essay will examine an example of the means by which the e-State went about gathering the data they would use to craft images and narratives that burrowed right to the heart of human cognition. Employing a mixture of advertising, marketing, and psychological warfare techniques the powers that be have raised a Tower of Babel using fiber optics from which it broadcasts its soliloquies 24 hours a day in every direction imaginable.

“The e-State is the transnational collective consisting of powerful financiers, media companies, “mainstream” elite academia, globe spanning political networks and the military industrial complex.”

Key Words: Mass Observation, Sociology, Psychology, Edward Bernays, Ministry of Information, U.K history, US history, Public relations, Public Polling, Gallup, Cold War, WWI, WWII, Mass Media Communications, Propaganda, Narrative history, Media analysis, Social analytics

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HISTORY IN 4D: BIRTH OF THE e-STATE

 

The e-State is the transnational collective consisting of powerful financiers, media companies, “mainstream” elite academia, globe spanning political networks and the military industrial complex.

Abstract: History in 4D is a series of essays examining the concept of the history of the 20th century as presented through the “public forum,” consisting of literature, film and mass media communications. These essays will investigate, analyze and present observations based on the assumption that in the 20th century the influence of state and corporate sponsored propaganda, government information classification strategies and the influence of the military industrial complex’s on television programming, news, and films has left us with a hologram version of history which they present to us as factual.

Keywords: Narrative history, Philosophy of History, Mass media communications, Media Studies, Narrative History, Literature, Intelligence Community, Military Industrial Complex, Cold War, Stylistics, Psychological Operations, Public Relations

Word count: 3002

 

 

HISTORY IN 4D:

BIRTH OF THE e-STATE

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DIGGING IN THE CRATES #2: “The Image” by Daniel Boorstin

“Digging in the Crates” is a series of posts related to reading done either for research or personal edification taken from texts of the past. Many of these will be refashioned posts created from threads I have posted on Twitter. I’m not sure how others do threads but I tend to make them more ad-hoc than finely tuned, on purpose, which coincides with how I view Twitter as a more immediate and improvisational medium. Not all agree with my view of Twitter but that’s how I see it and use it. In this series I will transpose some of those Twitter threads but also reserve the right to embellish and update the topic matter on this site. The subject matter usually concerns themes which connect the past and the present through various ‘evidences’ of connections I ferret out from my research.


 

1) THE NEWS – A Thread: The promotion of “news” outside of the gossip of the average person has always been political. There is an endgame (all-ways).

2) Daniel Boorstin argues that a Graphic Revolution took place in the late 1800s which brought us to our current state. Yet the MO is old.

 

3) Focusing on the American scene he discusses “pseudo-events” as the basis for what we call News and Public Relations, its bastard child.

4) America is a special in many ways. An important way is the method of “public sphere creation” using the media.

5) The lofty ideals of journalism, honestly, were never being used on a mass scale. The “newspaper” has always been a tool of political aims.

6) Ask yourself, “why?” would elites share information with the subjects they largely want to keep under thumb? In order to in-form you…

7) Reporters, editors and writers, “decide” the angles of “stories” they chose which they deem “new worthy” and they always have.

8) The tenor of the language proliferates into the public sphere, and if the news isn’t enough the academics and pundits ensure it does.

9) Writing in 1962 he was basically called our present out. At that time he said the “news” was full nonsense for 50 years already.

10) This pseudo-event concept is useful. In his view most things we take for news or information aren’t really either.

11) Boorstin’s definition of a pseudo event in 4 parts. It is planned, promoted, presented and then commented on.

The loop is reinforcing

12) Very quickly the desires of the public 2 remain ‘informed’ when no big events were taking place led 2 the industrial creation of events

13) And of course we have Edward Bernays, nephew Sigmund “freaky” Freud, on the scene waving a visibly hidden hand…

14) Bernay’s features heavily in the entire US and western canon concerning commercial promotion, ad psychology and public psyops

15) Hired to promote cigarettes he dubbed them “freedom torches” and hired women to perform a fake march in NYC…

16) The idea that smoking was a revolutionary act for women at the time was enough to write ‘stories’ about. Yet in reality, it was staged.

17) Now turn to modern ‘daily’ ‘local’ news. What % of that is usually crime? Crime not even in your city, or country? Is that truly news?