Tag Archives: Communications

HISTORY IN 4D – HEURISTICS FOR THE AGE OF INFORMATION WARFARE

ABSTRACT

This is the latest in a series of essays concerning a concept known as History in 4D. History in 4D on one hand is an assessment of the modern information space as being overwhelmingly influenced by political, corporate and military intelligence actors who through guarded communications with the public craft a version of reality using narrative structures embedded in mass media communications. On the other hand, History in 4D is a set of heuristics for use by students, teachers, analysts and information seeking citizens as they attempt to make meaning out of the endless waves of narratives thrown at them. In total, History in 4D is a method of viewing history and current events in an effort to improve media literacy and one’s general awareness about history and how the world operates. If 2016-2018 has proven anything they have proved that the Information Age has given birth to the Age of Information Warfare and our minds are all in the crossfire.

Keywords: Media studies, Narrative history, Politics, Content Analysis, Mass media, self education, History, Journalism

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HISTORY IN 4D – PANOPTIC PERSUASION

 

ABSTRACT

The influential power of narrative story telling throughout human history was a topic I touched upon in the first essay of this series. In the following installments I examined how the Nazi’s methods of mass media communications directly influenced much of what we consider ‘normal’ media relations today. That was followed by an examination of the figures in American Intelligence who spearheaded bringing that style to the American controlled theaters during WWII and throughout the Cold War.

This essay will examine an example of the means by which the e-State went about gathering the data they would use to craft images and narratives that burrowed right to the heart of human cognition. Employing a mixture of advertising, marketing, and psychological warfare techniques the powers that be have raised a Tower of Babel using fiber optics from which it broadcasts its soliloquies 24 hours a day in every direction imaginable.

“The e-State is the transnational collective consisting of powerful financiers, media companies, “mainstream” elite academia, globe spanning political networks and the military industrial complex.”

Key Words: Mass Observation, Sociology, Psychology, Edward Bernays, Ministry of Information, U.K history, US history, Public relations, Public Polling, Gallup, Cold War, WWI, WWII, Mass Media Communications, Propaganda, Narrative history, Media analysis, Social analytics

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HISTORY IN 4D – WARLORDS OF THE INFORMATION AGE

ABSTRACT

The overt and covert battle of ideologies known as the Cold War should never be viewed as too far disconnected from the events that gave birth to it which are World I and World War II. This essay, which is part three of a series, Part I, and Part II, explores the backgrounds and thinking of some of the people involved in crafting the US projection of self through narrative after WWII. The last essay in the series made the argument that the Nazi’s methods of mass media communication and indoctrination were utilized by the West after the war. This is an exploration of some of the historical facts which undergird that premise and an examination of the divergence between presentation and reality concerning historical ‘defenders of democracy’. 

Key Words: Allen Dulles, James Angleton, Edward Lansdale, Henry Kissinger, Cold War, WWI, WWII, Mass Media Communications, Propaganda, Narrative history

HISTORY IN 4D –

WARLORDS OF THE INFORMATION AGE

Who are spies? Where do they come from? What are some real world implications of what they do?

The gathering of intelligence and production of effective counter-intelligence methods are as ancient as the act of war itself. Cross cultural Information warfare grew in concert with the spread of mass-media communications in the wake of WWI and WWII. The Cold War was fought on every conceivable battleground from the physical to the ideological.

The cultural Cold War that was waged included CIA, MI-6 and KGB funded art, literature, film and other myriad business interests and in many ways was just as impactful as the proxy wars fought all over the world by the two super powers of the era. Utilizing its network of agents the CIA wove itself into the very fabric of US media outlets. High ranking members of the CIA and other US intelligence agencies were already acquaintances, business partners and family members with the doyens of media, finance and industry as the latter largely hailed from the same class of American aristocracy.

One thing that spies spend a lot of time doing that the average person may be unaware of is write. Spies write news, they write movie scripts, consult on television shows and occasionally even have their hand in our music.

Having covered how the Nazi model of mass media psychological indoctrination was studied and applied by the Anglo powers in the last essay, the topic of discussion in this edition will center upon the American spies who had a large influence in the modality of communication by the e-State. These are the architects of the way the history of the 20th century is narrativized in the West to this day. 

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HISTORY IN 4D – VISUALIZING THE FUTURE – HOW THE NAZI’S MODE OF MASS MEDIA COMMUNICATIONS BECAME THE GLOBAL STANDARD

The introduction to this series of essays, “History in 4D – The Birth of The e-State,” can be found here.

Abstract

History in 4D is a series of essays examining the concept of the history of the 20th century as presented through the “public forum,” consisting of literature, film and mass media communications. These essays will investigate, analyze and present observations based on the assumption that in the 20th century the influence of state and corporate sponsored propaganda, government information classification strategies and the influence of the military industrial complex’s on television programming, news, and films has left us with hologram version of history which they present as factual.

Key Words:

Narrative history, Philosophy of History, Mass media communications, Media Studies, Narrative History, Literature, Intelligence Community, Military Industrial Complex, Cold War, Stylistics, Psychological Operations, Public Relations, WWII, Nazis, Allies, Axis

Word Count: 3263

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DIGGING IN THE CRATES #2: “The Image” by Daniel Boorstin

“Digging in the Crates” is a series of posts related to reading done either for research or personal edification taken from texts of the past. Many of these will be refashioned posts created from threads I have posted on Twitter. I’m not sure how others do threads but I tend to make them more ad-hoc than finely tuned, on purpose, which coincides with how I view Twitter as a more immediate and improvisational medium. Not all agree with my view of Twitter but that’s how I see it and use it. In this series I will transpose some of those Twitter threads but also reserve the right to embellish and update the topic matter on this site. The subject matter usually concerns themes which connect the past and the present through various ‘evidences’ of connections I ferret out from my research.


 

1) THE NEWS – A Thread: The promotion of “news” outside of the gossip of the average person has always been political. There is an endgame (all-ways).

2) Daniel Boorstin argues that a Graphic Revolution took place in the late 1800s which brought us to our current state. Yet the MO is old.

 

3) Focusing on the American scene he discusses “pseudo-events” as the basis for what we call News and Public Relations, its bastard child.

4) America is a special in many ways. An important way is the method of “public sphere creation” using the media.

5) The lofty ideals of journalism, honestly, were never being used on a mass scale. The “newspaper” has always been a tool of political aims.

6) Ask yourself, “why?” would elites share information with the subjects they largely want to keep under thumb? In order to in-form you…

7) Reporters, editors and writers, “decide” the angles of “stories” they chose which they deem “new worthy” and they always have.

8) The tenor of the language proliferates into the public sphere, and if the news isn’t enough the academics and pundits ensure it does.

9) Writing in 1962 he was basically called our present out. At that time he said the “news” was full nonsense for 50 years already.

10) This pseudo-event concept is useful. In his view most things we take for news or information aren’t really either.

11) Boorstin’s definition of a pseudo event in 4 parts. It is planned, promoted, presented and then commented on.

The loop is reinforcing

12) Very quickly the desires of the public 2 remain ‘informed’ when no big events were taking place led 2 the industrial creation of events

13) And of course we have Edward Bernays, nephew Sigmund “freaky” Freud, on the scene waving a visibly hidden hand…

14) Bernay’s features heavily in the entire US and western canon concerning commercial promotion, ad psychology and public psyops

15) Hired to promote cigarettes he dubbed them “freedom torches” and hired women to perform a fake march in NYC…

16) The idea that smoking was a revolutionary act for women at the time was enough to write ‘stories’ about. Yet in reality, it was staged.

17) Now turn to modern ‘daily’ ‘local’ news. What % of that is usually crime? Crime not even in your city, or country? Is that truly news?