Category Archives: HISTORY

HISTORY IN 4D – THE “REALITY” OF SYNTHETIC TELEPATHY?

ABSTRACT

 “Today, everything serves war. There is not one discovery which the military does not study with the aim of applying it to warfare, not one invention which they do not attempt to turn to military use.”

—Nikolai Fyodorov, “Philosophy of the Common Cause, 1891”

In a world of rapidly increasing scientific and technological innovation, much of which is conducted under the auspices of corporate and defense contracts, it is reasonable to believe that types of technologies exist which would appear to be science fiction to the average person. But in fact are quite real. Some of these technologies can affect us in ways that could make someone appear mentally disturbed. Is the fact that certain neurological or physiological conditions could be caused by some variety of exotic corporate or military technology not worth determining? Would disclosure of such technology impact the medical field or improve treatment? If such technologies were treated as “real” by the media or academia in general, what changes and protections could arise from that?

Keywords: Scientism, Synthetic Telepathy, Non-lethal weapons, Defense, Microwave hearing, voice to skull

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HISTORY IN 4D – HEURISTICS FOR THE AGE OF INFORMATION WARFARE

ABSTRACT

This is the latest in a series of essays concerning a concept known as History in 4D. History in 4D on one hand is an assessment of the modern information space as being overwhelmingly influenced by political, corporate and military intelligence actors who through guarded communications with the public craft a version of reality using narrative structures embedded in mass media communications. On the other hand, History in 4D is a set of heuristics for use by students, teachers, analysts and information seeking citizens as they attempt to make meaning out of the endless waves of narratives thrown at them. In total, History in 4D is a method of viewing history and current events in an effort to improve media literacy and one’s general awareness about history and how the world operates. If 2016-2018 has proven anything they have proved that the Information Age has given birth to the Age of Information Warfare and our minds are all in the crossfire.

Keywords: Media studies, Narrative history, Politics, Content Analysis, Mass media, self education, History, Journalism

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DIGGING IN THE CRATES: Reflections on Chapter 15 of, The Information: A Theory, A Theory, A Flood by James Gleick

INTRODUCTION

The Information: A History, a Theory, a Flood is a book written in 2011 by science history author James Gleick which examines the history of information systems with a focus upon the dawn of the information age.

“One hungers for books; rereads a cherished few; begs or borrows more; waits at the library door, and perhaps, in the blink of an eye, finds oneself in a state of surfeit: too much to read” (415).

Ignorance is bliss especially if enough of those around you share the same sentiment.

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HISTORY IN 4D – PANOPTIC PERSUASION

 

ABSTRACT

The influential power of narrative story telling throughout human history was a topic I touched upon in the first essay of this series. In the following installments I examined how the Nazi’s methods of mass media communications directly influenced much of what we consider ‘normal’ media relations today. That was followed by an examination of the figures in American Intelligence who spearheaded bringing that style to the American controlled theaters during WWII and throughout the Cold War.

This essay will examine an example of the means by which the e-State went about gathering the data they would use to craft images and narratives that burrowed right to the heart of human cognition. Employing a mixture of advertising, marketing, and psychological warfare techniques the powers that be have raised a Tower of Babel using fiber optics from which it broadcasts its soliloquies 24 hours a day in every direction imaginable.

“The e-State is the transnational collective consisting of powerful financiers, media companies, “mainstream” elite academia, globe spanning political networks and the military industrial complex.”

Key Words: Mass Observation, Sociology, Psychology, Edward Bernays, Ministry of Information, U.K history, US history, Public relations, Public Polling, Gallup, Cold War, WWI, WWII, Mass Media Communications, Propaganda, Narrative history, Media analysis, Social analytics

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HISTORY IN 4D – WARLORDS OF THE INFORMATION AGE

ABSTRACT

The overt and covert battle of ideologies known as the Cold War should never be viewed as too far disconnected from the events that gave birth to it which are World I and World War II. This essay, which is part three of a series, Part I, and Part II, explores the backgrounds and thinking of some of the people involved in crafting the US projection of self through narrative after WWII. The last essay in the series made the argument that the Nazi’s methods of mass media communication and indoctrination were utilized by the West after the war. This is an exploration of some of the historical facts which undergird that premise and an examination of the divergence between presentation and reality concerning historical ‘defenders of democracy’. 

Key Words: Allen Dulles, James Angleton, Edward Lansdale, Henry Kissinger, Cold War, WWI, WWII, Mass Media Communications, Propaganda, Narrative history

HISTORY IN 4D –

WARLORDS OF THE INFORMATION AGE

Who are spies? Where do they come from? What are some real world implications of what they do?

The gathering of intelligence and production of effective counter-intelligence methods are as ancient as the act of war itself. Cross cultural Information warfare grew in concert with the spread of mass-media communications in the wake of WWI and WWII. The Cold War was fought on every conceivable battleground from the physical to the ideological.

The cultural Cold War that was waged included CIA, MI-6 and KGB funded art, literature, film and other myriad business interests and in many ways was just as impactful as the proxy wars fought all over the world by the two super powers of the era. Utilizing its network of agents the CIA wove itself into the very fabric of US media outlets. High ranking members of the CIA and other US intelligence agencies were already acquaintances, business partners and family members with the doyens of media, finance and industry as the latter largely hailed from the same class of American aristocracy.

One thing that spies spend a lot of time doing that the average person may be unaware of is write. Spies write news, they write movie scripts, consult on television shows and occasionally even have their hand in our music.

Having covered how the Nazi model of mass media psychological indoctrination was studied and applied by the Anglo powers in the last essay, the topic of discussion in this edition will center upon the American spies who had a large influence in the modality of communication by the e-State. These are the architects of the way the history of the 20th century is narrativized in the West to this day. 

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RESPILLING OLD TEA: A SURVEY OF NEWS STORIES ABOUT PAST PRESIDENTS 5 YEARS BEFORE BEING ELECTED

The reality show that is the US presidency is one of the most ostentatious and expensive productions the world has ever known. Its producers are massive corporations, political parties, financial institutions and military interests. Its actors hail from the best universities, families, and fraternal societies across America. Seeing an actor give a tour de force performance in a movie or television show can have the effect of coloring your opinion of them from then on. Making it hard to distinguish or appreciate them when they play another role. Other actors are trapped in their past and end up typecast into a series of roles based upon the character they’d played at some prior date.

The public image of any president, for better of for worse, is dramatically altered by the time their terms are up. Examining the maelstrom of media coverage concerning current president Donald Trump. media analysts may, if they can remove the chastity belts of partisanship the wear so proudly, look to investigate the media’s presentation of presidential hopefuls in the past and how public perception shifts over time. Ensconced in a hyperreality of mass news and social media communications we now experience the phenomenon of public figures ‘coming out of no-where,’ juxtaposed with the actions of known public figures either being buried or constantly reintroduced into the news cycle.

Due to the power of narrative driving by media outlets, which nowadays seek to run parallel with public trends rather than serve as somewhat non-partisan reporters, candidates can be recast in new roles with a speed and efficacy never before imagined. In this last election we saw a New York billionaire braggart transformed into a populist hero going to Washington to drain the swamp of career politicians and greedy oligarchs.

That character ran against another media invention. This time it was a humble woman of the people, public servant and feminist who — despite being having been a well known political figure and source of controversy for decades — had been reborn as a as a kind, loving, hot sauce in her purse carrying, strong female leader unafraid to wage war wherever and whenever possible. 

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The Us Organization, Maulana Karenga, and Conflict with the Black Panther Party: A Critique of Sectarian Influences on Historical Discourse

 

The Us Organization, Maulana Karenga, and Conflict with the Black Panther Party- A Critique of Sectarian Influences on Historical Discourse Scot Ngozi-Brown

HISTORY IN 4D – VISUALIZING THE FUTURE – HOW THE NAZI’S MODE OF MASS MEDIA COMMUNICATIONS BECAME THE GLOBAL STANDARD

The introduction to this series of essays, “History in 4D – The Birth of The e-State,” can be found here.

Abstract

History in 4D is a series of essays examining the concept of the history of the 20th century as presented through the “public forum,” consisting of literature, film and mass media communications. These essays will investigate, analyze and present observations based on the assumption that in the 20th century the influence of state and corporate sponsored propaganda, government information classification strategies and the influence of the military industrial complex’s on television programming, news, and films has left us with hologram version of history which they present as factual.

Key Words:

Narrative history, Philosophy of History, Mass media communications, Media Studies, Narrative History, Literature, Intelligence Community, Military Industrial Complex, Cold War, Stylistics, Psychological Operations, Public Relations, WWII, Nazis, Allies, Axis

Word Count: 3263

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HISTORY IN 4D: BIRTH OF THE e-STATE

 

The e-State is the transnational collective consisting of powerful financiers, media companies, “mainstream” elite academia, globe spanning political networks and the military industrial complex.

Abstract: History in 4D is a series of essays examining the concept of the history of the 20th century as presented through the “public forum,” consisting of literature, film and mass media communications. These essays will investigate, analyze and present observations based on the assumption that in the 20th century the influence of state and corporate sponsored propaganda, government information classification strategies and the influence of the military industrial complex’s on television programming, news, and films has left us with a hologram version of history which they present to us as factual.

Keywords: Narrative history, Philosophy of History, Mass media communications, Media Studies, Narrative History, Literature, Intelligence Community, Military Industrial Complex, Cold War, Stylistics, Psychological Operations, Public Relations

Word count: 3002

 

 

HISTORY IN 4D:

BIRTH OF THE e-STATE

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